​Some of Gina Marie’s most recent engagements include joining Emmanuel Music in their weekly Cantata Series and yearly concert programs, singing as artist-in-residence at the Portland Bach Experience, and collaborating with pianist Clémentine Dubost to bring French art song to the Upper Valley.

Regularly performing and touring with The Pandora Consort, Gina Marie and colleagues Kendra Comstock and Angie Tyler are champions of music by Hildegard von Bingen. The trio frequently premieres creative concert programs that combine underrepresented music with multimedia. Pandora has been featured by organizations and series such as Pegasus Early Music/New York State Baroque, Salon avec moi, Otter Creek Music Festival, Vermont Public Classical, SoHIP Boston, the Saint James World & Early Music Series, King’s Chapel Concert Series, Gotham Early Music Series (GEMS), In-Situ Polyculture, and Epsilon Spires’ GRRLS TO THE FRONT, and in publications such as the New York Times and the Boston Globe.

Gina Marie’s love of new music is at the forefront of her budding career. She continues her collaboration with contemporary composers, premiering their works in both chamber and solo settings; most recently with Nightingale Vocal Ensemble, Emmanuel Music, DREAMGLOW, and collaborator John Secunde. Gina Marie and John’s award-winning duo, Saint Boneface, fuses indie aesthetics with classical repertoire.

Gina Marie received an MM in Vocal Performance from the Longy School of Music and a BM in Vocal Performance from East Carolina University. In addition to performing, Gina Marie teaches French language and diction courses to undergraduate and graduate students at the Longy School of Music and New England Conservatory.